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| 藤本壯介2009.11新作《HOUSE-H》及一篇Archdaily對(duì)他的訪談 [精華] |
borendodo
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 2010-01-30 17:44 
                                    
borendodo edited on 2010-01-30 22:27
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borendodo
發(fā)貼: 22
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2010-01-30 18:05
掏洞不僅在墻和頂，甚至在層與層間的樓板。相比妹島更為關(guān)注空間的趣味性和實(shí)驗(yàn)性，追求整體氛圍的迷亂 
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米拉隔壁
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2010-01-30 18:12
底褲···· |
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傻子Logic
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2010-01-30 18:20
怎么看怎么像精神病院。 |
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ARC—騎士
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2010-01-30 18:34
傻子Logic wrote: 感覺(jué)日本小住宅大都是那種一片白~ 。。。 住久了，真怕精神分裂。 記得藤本有個(gè)設(shè)計(jì)是給精神病兒童用的，也是一片白~~ = = ！ |
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傻子Logic
發(fā)貼: 3989
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2010-01-30 18:38
ARC—騎士 wrote: 白色倒是沒(méi)什么，很多極簡(jiǎn)建筑都是純白的。 主要是白色搭配這種空間序列，感覺(jué)是一種混亂的自律。 不過(guò)能給人以啟發(fā)。 人已經(jīng)成為空間的裝飾品了。 |
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lsnlsnn
發(fā)貼: 39
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2010-01-30 19:16
這個(gè)可不可以說(shuō)是復(fù)述李子林住宅，我覺(jué)得House N比這個(gè)有意思 |
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borendodo
發(fā)貼: 22
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2010-01-30 21:18
呵呵，houseN幾乎是藤本最好的作品。 我覺(jué)得這個(gè)房子的精華在于鏤空的地板。這個(gè)房子和妹島的李子林住宅的不同是：后者只能頂朝上，是個(gè)小房子。前者上下左右前后隨便哪個(gè)方向的面朝上都行，是個(gè)360度的大物體。當(dāng)然，住在房子里舒服，住在物體里好玩，這是青菜蘿卜各有所好了 |
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heyqlaile
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2010-01-30 21:22
有意思 生活本身變成了行為藝術(shù) 而房屋成了這個(gè)行為的裝置 能在極小的空間里面雕琢是日本人的地域性造成的 很多東西仁者見(jiàn)仁智者見(jiàn)智 你不喜歡的一些東西可能在別人那里視若珍寶 |
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borendodo
發(fā)貼: 22
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2010-01-30 22:23
附上Archdaily的訪談（翻譯borendodo） what is the best moment of the day? morning, I'd say, except when it rains (laughs). I usually wake up early rather than late, and mornings are very precious for me. I like the beginning of everything. the morning is the beginning of a day and I like to think of it as the beginning of architecture. 一天中最好的時(shí)光？ 我覺(jué)得早晨，尤其當(dāng)下雨時(shí)。 我常常早起，早晨的時(shí)光對(duì)我來(lái)說(shuō)很寶貴。我喜歡一切事物的開(kāi)始階段。早晨是一天的開(kāi)始，而我常常把它當(dāng)作是建筑的開(kāi)始。 what kind of music do you listen to at the moment? I like bach and piano music. in my younger days I loved the beatles and bob dylan, but recently I like to listen to classical music. 這個(gè)時(shí)候你會(huì)聽(tīng)哪種音樂(lè)？ 我喜歡巴赫和鋼琴曲。早些年的時(shí)候我喜歡披頭士和鮑勃迪倫，最近喜歡古典樂(lè)了。 do you listen to the radio? no. I just listen to cd's. 聽(tīng)廣播？ 不。 只聽(tīng)CD。 what books do you have on your bedside table? one of my favorite books is written by toro takemitsu. he is a great japanese contemporary music composer and at the same time he's a very good writer. his words about music, about the japanese culture, about the world inspire me. 你的枕邊書(shū)？ 武滿徹先生的一本書(shū)我很喜歡，他是偉大的當(dāng)代日本作曲家，同時(shí)寫(xiě)作也很好。他的一些關(guān)于音樂(lè)，日本文化以及世界的話語(yǔ)常常對(duì)我有啟發(fā)。 do you read design / architecture magazines? I don't read them in detail, I just take a look. mostly japanese but also international magazines. recently my studio subscribed to domus, architectural review and architectural record. 看設(shè)計(jì)/建筑雜志嗎？ 不細(xì)看，只是翻翻，而且大部分是日本雜志，也有國(guó)外的。最近我的事務(wù)所訂了domus，architectural review和architectural record。 where do you get news from? the internet. 從什么渠道獲取最新信息？ 網(wǎng)絡(luò)。 I assume you notice how women dress. do you have any preferences? I like clothes by issey miyake. that's not limited to women, I like his thinking of how to create clothing.a while ago there was a magazine I looked at that had images of women in africa wearing issey miyake's dresses. it was an amazing photo report. I was very surprised about how the dresses, colors and their living style blend so well together. 若你對(duì)女人的服裝有注意，會(huì)對(duì)哪些方面感興趣？ 我喜歡三宅一生。不僅限于女人，我喜歡他的關(guān)于如何做衣服的思考。先前有本雜志登了些穿著三宅一生的服裝的非洲婦女的照片，這是個(gè)很驚艷的photo report，當(dāng)?shù)厝说纳罘绞骄鼓芘c三宅的服裝、顏色如此完美地融合，讓我很驚訝。 what kind of clothes do you avoid wearing? complicated suits. I see clothing as a kind of second nature. 會(huì)避免穿什么樣的衣服？ 太復(fù)雜的。 我把衣服看作是人的第二本性。 do you have any pets? not for now. 養(yǎng)寵物嗎？ 現(xiàn)在不了。 when you were a child, did you want to become a architect? I grew up in hokkaido, in the northern part of japan, surrounded by nature and I enjoyed just playing in the forest. I didn't think about any future of mine. my hero was albert einstein, so originally I wanted to be a physicist like him, I was interested in the physical aspects of our world. now I find many similarities in the research and practice in both fields, architecture and physics. my first experience with architecture was with antonio gaudi (through reading a book about him). 從小就像當(dāng)建筑師嗎？ 我在日本北邊的北海道長(zhǎng)大，那里自然風(fēng)光環(huán)繞，我很享受在森林里玩耍的時(shí)光，從沒(méi)想過(guò)未來(lái)會(huì)怎樣。那時(shí)我的偶像是愛(ài)因斯坦，所以原先我是想成為像他那樣的物理學(xué)家。我很感興趣世界物質(zhì)的一面。而現(xiàn)在我發(fā)現(xiàn)，建筑與物理這兩個(gè)領(lǐng)域在研究，實(shí)踐方面都有很大的相似性。我最初的關(guān)于建筑的體驗(yàn)與高迪有關(guān)（看了一本關(guān)于他的書(shū)）。 where do you work on your designs and projects? mainly in the office because my work is not only done by me. I collaborate with my staff through discussions and models, but when I want to focus on something I prefer to be alone. in that case I work at home or in a starbucks cafe. 在哪工作？ 主要在工作室。因?yàn)槲业淖髌沸枰嗳藚f(xié)作。我會(huì)通過(guò)討論，做模型來(lái)與員工合作。但當(dāng)我想集中精神的時(shí)候會(huì)更愿意一個(gè)人呆著，這時(shí)我會(huì)選擇在家里或是在星巴克工作。 do you discuss your work with other architects? sometimes. for example with toyo ito and kazuyo sejima, ... but we don't discuss, we chat. 會(huì)與其他建筑師討論自己的作品嗎？ 有時(shí)會(huì)。比如像伊東，妹島...但我們不會(huì)討論，只是在聊天。 describe your style, like a good friend of yours would describe it. I call it 'primitive future'. a sort of primitive situation that relates to the human 'cave' habitation but at the same time I like to create something new for the future. I recently gave a lecture 'cave or nest', the two embryonic states of architecture. a 'nest' is a place for people that is very well prepared, everything is assembled and very functional, meanwhile the 'cave' is just a raw space, which people need to explore and find their own comfort within. this is a situation where people can use space creatively. I prefer something like the cave-like-unintentional space. something that is in between nature and artifact - formless form. 描述下自己。 我想會(huì)是“原初的未來(lái)”，與人類(lèi)洞穴居住環(huán)境有關(guān)的一種原始的狀態(tài)，在這基礎(chǔ)上我想為未來(lái)創(chuàng)造出更新的東西。 最近做了個(gè)講座“洞穴，或者巢”，兩種不同建筑生長(zhǎng)的原始胚胎狀態(tài)�！俺病笔且磺幸呀�(jīng)被布置好了的地方，所有事物都被裝配好而且功能化，而“洞穴”只是一個(gè)處于混沌狀態(tài)的空間，在里頭人們需要去尋找，探索他們自己舒適的方式，這是一個(gè)人們可以創(chuàng)造性地去使用空間的環(huán)境。 我偏愛(ài)有點(diǎn)像洞穴一樣的無(wú)意識(shí)空間，一些存在與自然與人造物之間的無(wú)定形的形式。 formless form? space is relationships and architecture generates various senses of distances. I'm very optimistic and see architecture as something between living together and independently. there are many degrees of interaction amongst people. to construct a wall is to bisect a space into 0 and 1, however a space must have intrinsically many graduations between 0 and 1. I like to create an in-between-space, therefore my works are very basic (I've designed architecture that is very simple but looks complex due to its geometric form). 無(wú)定形的形式？ 空間是一種關(guān)系。建筑產(chǎn)生多方面的距離感。 我很樂(lè)于看到建筑作為某種介乎公共與私密之間的場(chǎng)所存在，里面人與人之間可以有多層次的交互。建造一堵墻猶如把空間分成0和1，然而空間本質(zhì)上在0與1之間是存在著許多灰色階層的，我想要?jiǎng)?chuàng)造出屬于中間層的空間，因此我的作品都是很基本的（我有一個(gè)項(xiàng)目，原理很簡(jiǎn)單但看起來(lái)很復(fù)雜，原因在于其幾何構(gòu)成）。 please describe an evolution in your work, from your first projects to the present day the projects are becoming bigger because I get the chance to do more prestigious work, but I don't want to limit myself just to expensive things. sometimes with private projects that are low-budget I have more possibilities. 描述下你的演變過(guò)程，從第一個(gè)項(xiàng)目到現(xiàn)在 項(xiàng)目越來(lái)越大，因?yàn)槲矣袡C(jī)會(huì)去做更多更高調(diào)的作品，但對(duì)于這種大項(xiàng)目我不愿意限制住自己。有時(shí)一些預(yù)算很少的私活對(duì)我而言會(huì)有更多的可能性。 what project has given you the most satisfaction? there are two low-budget projects that I have just recently finished.one is named house N which is a very simple box house. an outdoor space that feels like the indoors and an indoor space that feels like the outdoors. I think we were successful in creating a space between the house and city. my ideal is architecture too be roofless and garden-like. the other project is called 'final wooden house'. we stacked wooden blocks together to create a very small house, in which there are no categorization of floors, walls, and ceilings.because floor levels are relative people reinterpret the spatiality according to where they are. it was a big challenge for us, as we needed to consider if there was enough space for people (laughs). 最滿意那件作品？ 剛剛完工的兩個(gè)小活，預(yù)算很低。一個(gè)是house N，很簡(jiǎn)單的一個(gè)方盒子，室外的空間感覺(jué)像室內(nèi)的，室內(nèi)的空間感覺(jué)像室外的。我想我們很成功地創(chuàng)造了一個(gè)介乎房子與城市的空間。我的想法是房子像沒(méi)有屋頂?shù)模▓@一樣的。還有一個(gè)是“終極木屋”，我們把木條堆積在一起產(chǎn)生一個(gè)小房子，里邊沒(méi)有地板、墻、天花板的劃分，因?yàn)槿藗儠?huì)根據(jù)自己在里面的位置去重新詮釋空間。這個(gè)項(xiàng)目對(duì)于我們來(lái)說(shuō)是個(gè)很大的挑戰(zhàn)，因?yàn)槲覀円膊恢览锩媸欠裼凶銐虻目臻g去容納人（哈哈）。 did you modify your buildings a lot during development, because the client wanted something different? I like to answer to the clients request as much as possible, but I do not see it as compromises. I react with a more creative development. of course clients always have an idea of what they want and some site specific concerns but at the same time they like to have something unexpected or something beyond their imagination. many clients want a new lifestyle through a new style of house. I propose something beyond their request and if they like the idea, the project will start. if they don't like the project at all it will stop.fortunately our idea, our scheme is a flexible one. the basic scheme is very strong but it can adapt while still remaining strong. 由于客戶的原因，你會(huì)不會(huì)去反復(fù)修改你的設(shè)計(jì)？ 我會(huì)去盡量滿足客戶的需求，但這不意味著妥協(xié)。我對(duì)有創(chuàng)造性的推進(jìn)更感冒。當(dāng)然了客戶對(duì)他想要的，以及細(xì)節(jié)方面的敲定總是會(huì)有自己的想法，但同時(shí)他們也會(huì)想要一些期待以外的，超越他們所能想到的新東西。許多客戶想通過(guò)一個(gè)新類(lèi)型的房子來(lái)獲取一種新的生活方式。如果他們喜歡的話，我會(huì)給出一些超越他們需求的提議，這樣項(xiàng)目就可以開(kāi)始了。如果他們不喜歡的話，那就終止。幸運(yùn)的是，我們的想法，我們的方案是很靈活能變通的。最初的方案很有沖擊力，但也能做到適應(yīng)（客戶）而同時(shí)保持很強(qiáng)的沖擊力。 who would you like to design something for? an art museum or some kind of museum would be very interesting for me, or an art gallery and a photo studio. I like to design medical facilities. in 2006 I have worked for a mental hospital,developing the children's center for psychic rehabilitation.right now we are designing a library. 你想為誰(shuí)做設(shè)計(jì)？ 我很感興趣藝術(shù)博物館或者別的些博物館，或者畫(huà)廊，攝影工作室。我喜歡設(shè)計(jì)醫(yī)療設(shè)施之類(lèi)的，06年我給一個(gè)精神病醫(yī)院的兒童精神康復(fù)中心做過(guò)設(shè)計(jì)，現(xiàn)在我們?cè)谠O(shè)計(jì)一個(gè)圖書(shū)館。 is there any architect from the past, you appreciate a lot? louis kahn, le corbusier, mies van der rohe... and of course michelangelo. I also like the architecture designed by nobody, for example gothic cathedrals. 以前的建筑師中有沒(méi)有誰(shuí)是你很喜歡的 康，柯布，密斯...當(dāng)然還有米開(kāi)朗基羅。 我也很喜歡無(wú)名氏設(shè)計(jì)的建筑，像哥特教堂。 and those still working / contemporary architects? I love frank gehry because his architecture is like a second nature,like a jungle. something beyond artificial things, it's amazing. 還活躍著的建筑師呢？ 蓋里，因?yàn)樗慕ㄖ拖袷堑诙匀�，猶如叢林，超越了人造物，很讓人驚嘆。 what advice would you give to the young? I'm still a young architect. so yeah um... enjoying things is very important. 對(duì)于年輕人有沒(méi)有建議？ 我也還是個(gè)年輕建筑師，所以...嗯，享受樂(lè)趣是很重要的。 what are you afraid of regarding the future? I think I we have to be very serious about the change in climate and the situation of nature. I think that it is a great opportunity for us to rethink about the modern age culture of controlling everything. we have to change that kind of whole super controlling situation.for example air conditioning - when we use it we close and shut out nature and we are limited in the space we have. the artificial machine of the air conditioning is controlling our space and separating each other. instead we might be able to live together and use a kind of natural power to create a more comfortable space.humans should adapt a bit more, rather than control. 對(duì)于未來(lái)會(huì)有什么擔(dān)心的嗎 我想我們會(huì)很認(rèn)真的對(duì)待氣候異常和自然問(wèn)題。我想對(duì)于我們來(lái)說(shuō)這是個(gè)很好的時(shí)機(jī)去反思“掌控自然”之類(lèi)的現(xiàn)代主義文明。我們不要再抱著想掌控一切的想法了。比方說(shuō)空調(diào)，當(dāng)我們?cè)谑褂每照{(diào)時(shí)，我們會(huì)關(guān)上門(mén)窗，與自然隔離開(kāi)來(lái)，卻被限制在自己的空間里�？照{(diào)控制了我們與這個(gè)空間，并且（把空間）一個(gè)個(gè)都相互分裂開(kāi)來(lái)。相反地，我們應(yīng)該要生活在一個(gè)天空下，使用自然的力量去創(chuàng)造更為舒適的空間。相比掌控一切，人類(lèi)更要應(yīng)該學(xué)會(huì)的是適應(yīng)。 |
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鎖石
發(fā)貼: 905
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2010-01-30 22:26
那個(gè)木質(zhì)樓梯用上一個(gè)月恐怕都不是現(xiàn)在的顏色了，小孩子踩幾腳，或者再撒泡尿直接就成畫(huà)了，小孩子在上面走也不安全。 當(dāng)然了，建筑還是給人很驚艷的感覺(jué)
鎖石 edited on 2010-01-30 22:30
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heyqlaile
發(fā)貼: 169
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2010-01-30 22:46
鎖石 wrote: 其實(shí)日本人很愛(ài)干凈的 不只是日本人 就中國(guó)的朝鮮族 然后韓國(guó)人 都是很愛(ài)干凈的 朝鮮那個(gè)國(guó)家不了解 應(yīng)該清潔不會(huì)是個(gè)大的問(wèn)題 |
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lsnlsnn
發(fā)貼: 39
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2010-01-30 22:47
我覺(jué)得他是犧牲了家庭內(nèi)部私密性，以此創(chuàng)造出更多空間通透，家人在其中有著出其不意的、新鮮的、即興的行為和之后的樂(lè)趣與記憶，這一點(diǎn)和李子林住宅是一致的 |
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heyqlaile
發(fā)貼: 169
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2010-01-30 23:05
李子林住宅白色模型 http://you.video.sina.com.cn/b/13902358-1320149322.html |
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borendodo
發(fā)貼: 22
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2010-01-30 23:15
藤本很多思路都是，在妹島的基礎(chǔ)上再多加點(diǎn)東西。 house-N：再多套一層。 house-H：門(mén)洞窗洞再大點(diǎn)，變成超大洞，樓板再開(kāi)洞。 |
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zao
發(fā)貼: 168
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2010-01-30 23:20
他居然會(huì)喜歡bach和kahn...跌... |
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張3
發(fā)貼: 1876
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2010-01-30 23:27
 如果你是建筑師，看他的房子就好像赤腳在刀刃上行走，或者是一個(gè)人在萬(wàn)丈懸空的山谷間走鋼索。似乎四周都寂靜無(wú)聲，可極限狀態(tài)的搖搖欲墜，與即將撕裂的恐懼感，讓你在心里發(fā)出巨大的尖叫 |
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borendodo
發(fā)貼: 22
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2010-01-30 23:30
喜歡巴赫不出奇，標(biāo)榜自己喜歡古典樂(lè)的建筑師都會(huì)說(shuō)自己喜歡巴赫，不會(huì)說(shuō)喜歡貝多芬，瓦格納。 |
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borendodo
發(fā)貼: 22
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2010-01-30 23:32
zao wrote: 喜歡巴赫不出奇，標(biāo)榜自己喜歡古典樂(lè)的建筑師都會(huì)說(shuō)自己喜歡巴赫，不會(huì)說(shuō)喜歡貝多芬，瓦格納。 |
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xbulid
發(fā)貼: 1753
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2010-01-31 00:06
祭品。 |
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石開(kāi)計(jì)劃SK
發(fā)貼: 1148
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2010-01-31 05:10
1. 住在這樣的房子里，會(huì)讓人感覺(jué)與親人陰陽(yáng)永隔，很多玻璃后、水下的場(chǎng)景都讓人猛地感覺(jué)像鬧鬼。日本人還真是在這方面饒有天賦！整個(gè)房子外觀也想個(gè)骨灰盒，汗。純屬個(gè)人初步感受。 2. 看了ArchDaily的那篇訪談，讓我肯相信"sometimes. for example with toyo ito and kazuyo sejima, ...but we don't discuss, we chat. " 乍一感覺(jué)日本建筑師講話都能這么有禪境。咱們以后會(huì)友也不要談項(xiàng)目，拉拉家常就好了。 3. 正經(jīng)的來(lái)說(shuō)，倒是特別喜歡藤本這種有意識(shí)到將室內(nèi)和室外空間模糊化、整合化的設(shè)計(jì)策略。尤其是HOUSE N和H這兩塊路邊的地塊，是成就“建筑成為城市構(gòu)成”之理想的好機(jī)會(huì)。
石開(kāi)計(jì)劃SK edited on 2010-01-31 05:14
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chenjingfus
發(fā)貼: 771
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2010-01-31 08:39
什么時(shí)候中國(guó)能有這樣的房子？ |
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zao
發(fā)貼: 168
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2010-01-31 09:56
borendodo wrote: 主要沒(méi)看出他的作品和西方古典的關(guān)系來(lái),呵呵 還有就是覺(jué)得他的房子,娛樂(lè)性過(guò)強(qiáng)了,或者,過(guò)于注重"概念"了,這房子玻璃樓板的使用和有意對(duì)地面\墻\屋頂之間差異的削弱,和對(duì)樓梯的強(qiáng)化,顛覆了人的空間感受,個(gè)人感覺(jué)最后倒是帶來(lái)一種埃舍爾式的眩暈...只能說(shuō),甲方確實(shí)挺勇敢,呵呵 |
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遠(yuǎn)際L魚(yú)谷
發(fā)貼: 1252
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2010-01-31 10:54
我也想整一小塊地 自己蓋個(gè)房子…… |
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鎖石
發(fā)貼: 905
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2010-01-31 11:41
heyqlaile wrote: 原木做成的家具要是弄臟了那是不可能再清潔的，除非刮掉，換句話說(shuō)，那東西是一次性的 |
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